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The Shroud of Turin has been debunked as a medieval forgery. The blood marks on it have been called paint. But more sophisticated research has shown that the origins of the cloth and the image on it are much more enigmatic. In fact, the weave of it suggests an earlier origin even than the first century CE. As famed author and researcher Gregg Braden theorizes in this program, it could have been a precious family heirloom, handed down for generations before it was used on the man of the shroud.
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William Henry’s deep knowledge of the hidden meaning and symbolism of the past give him some very special insights into the why of horror like ISIS. What does the terror group actually mean, and why is it’s name connected with that of a beloved ancient Egyptian goddess? Look beneath the surface for real understanding.

William and Whitley also discuss the rapidly approaching entry of the machine into the human brain. What does the marriage of carbon and silicon actually mean? Where will it lead? Are we, perhaps CHOOSING to enslave ourselves to machines better able than we are to understand and govern our world? But what does this mean for the human soul?

Provocative new ideas from one of the greats–William Henry!
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William Henry reports on his recent quest for the secrets of the Essenes in Egypt. The presence of this secretive Jewish sect in Egypt is little known, but, in fact, a group of them went to Heliopolis in Egypt in 180BC where–incredibly–they built a copy of Solomon’s Temple, complete with all the hidden materials within it, including the Ark of the Covenant.

Listen to William tell the enthralling story of this visit, and the secrets that were revealed to him, and the power that he found. Learn how he opens his heart to the energies that are available in sacred places in Egypt, which are still very much alive.read more

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Today, William Henry comments on the amazing report of possibly 10,000 year old cave drawings of gold-robed beings. Are they ets? Angels? Is this more evidence that ancient humans interacted with extraterrestrial beings? Focusing on the golden robes of these beings, he compares them to the accounts of the Anunnaki of Sumerian myth, who also were clad in golden robes. Is it possible these robes were ancient ancient technology used by the gods to come and go from the earth plane? Are they the same as the robes of light of Isaiah, Jesus and other figures who ascend to heaven?

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