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Artist and director Steve Neill is a lifelong close encounter witness and Yvonne Smith of the Close Encounter Resources Organization has been counseling such witnesses for 20 years. Listen as Steve and Yvonne discuss their lives and work and tackle such questions as why CE3s are so hard to remember, is the trauma we experience inflicted on us on purpose, and many equally provocative questions.

Yvonne is available for counseling and can be reached at You can learn more about CERO at

Steve has created powerful art based on his experiences, as well as the short film, But Something is There. (Click on the link to watch it on Vimeo!)

The first time Whitley ever watched one of Steve’s presentations featuring his art, he had an eerie and unsettling experience: his implant turned on.

In the third half hour, Steve tells us about his latest experiences and discuss a time when he had a powerful UFO sighting while on the phone with Whitley. During this sighting, there was a message sent and received that there was “still time.” But how much time, and for what?

Don’t miss Steve Neill’s art show on August 24 at the Steve Neill Studio. You can learn more at SteveNeillsArt.

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  1. You missed my point about use binary digits – its NOT a code – its 1’s and 0’s – you can chose to see 0100001 as 41h or the letter “a” in ASCII! You need a technical advisor! 1’s and 0’s are complex? how? I don’t see any value to your argument as to why they used it.

  2. Back in 80’s That face off the book triggered alot of people. It seemed like the communion face was all over my local city. It was an odd time.

  3. Thanks I enjoyed the show. The more we explore this subject the more we realize what we don’t know. I’ve been coming to grips on their morality vs ours. Our imprinting our morality on a extraterrestrial intelligence just doesn’t work. We think they do terrible things. I’m sure we do justified things in our eyes that horrify them. Their interest in our soul seems more and more pertinent. I’ve heard it expressed many times now that they intervened in our development by “engineering” our religions. Apparently the motive was to protect our souls. Our violent nature had to be tamed to help protect it. I know Whitely has expressed the absence of experiencers with a genetic memory of violent pasts.

  4. Two great shows in a row. Thank you Whitley.
    People that do not subscribe to not know what they are missing.

    1. That is doubly true now, as non-subcribers can no longer read the comments on ‘Dreamland’ and ‘The Experience’ …they can, however, read ‘The Unseen’ comments. It would be interesting to hear why that decision has been made… if it’s a mistake, I would suggest it needs sorting as a priority. Otherwise, as you suggested Eugene, how are they going to know what they are missing?

      I’ve added a message board topic for this, if anyone cares to chime in…

  5. Excellent and important show. Just one suggestion: one time going over and spelling out guest’s emails, websites. etc., might be enough since they are also linked on your site.


    In my meditation yesterday while trying to envision an extraterrestrial, I only saw floating musical notes, THEN while trying to find specific articles on how Edgar Cayce viewed consciousness and how we as humankind could change sunspots/world/cosmic events, I CAME ACROSS THIS ARTICLE.

    “God desired self-expression and desired companionship; therefore, God projected the cosmos and souls. The cosmos was built with music, arithmetic, geometry, harmony, system, and balance. The building blocks were all of the same material – the life essence. It was the power of God that changed the length of its wave and the rate of its vibration which created the patterns for multitudes of forms. This action resulted in the law of diversity which supplied endless patterns. God played on this law of diversity as a pianist plays on a piano – producing melodies and arranging them in a symphony.”

    “Each design carried within it the plan for its evolution. This plan corresponds to the sound of a note struck on a piano. The sounds of several notes unite to make a chord; chords in turn become phrases; phrases become melodies; melodies intermingle and move back and forth, across and between and around each other, to make a symphony. Then in the end, the music will stop and the physical universe will be no more; but between the beginning and the finish of the music there was glorious beauty and a glorious experience. The spiritual universe will continue.”

    So, one morning last week I am turning on my computer when I have this thought.

    “IT CAME FROM OUTER SPACE.” An old movie I have not seen but am aware of.
    (Not long thereafter, the alien spaceship leaves Earth, returning to the stars. Putnam’s fiancée Ellen asks him if they are gone for good. He responds knowingly,)
    “No, just for now. It wasn’t the right time for us to meet. But there will be other nights, other stars for us to watch. They’ll be back”.

    Review from Amazon…….
    This is Ray Bradbury’s classic science fiction tale of an alien spaceship that accidentally crashes to Earth in the remote California desert. Its completely alien inhabitants “convince” a cross-section of the local inhabitants to help them quietly repair their damaged ship, but not without various unforeseen complications that nearly leads to their destruction. Their only goal is to get off our primitive alien world and continue their journey to the stars.

    “John, are they really gone?” “Yes, for now, the time wasn’t right for us to meet. But there will be other nights, other stars for us to watch. (((((They’ll be back.”)))))

    Universal’s first polarized 3D black-and-white feature film is loving restored via digital Blu ray to the way it looked and sounded in theaters more than 60 years ago. The polarized 3D effect is amazing and not overly done like today on so many modern 3D CGI effects films. This alone makes this Blu ray a “Must Buy” for any home film library. “It Came from Outer Space” has also been restored with its original three-track *stereo* soundtrack, a breakthrough theater sound technology of that film era. A “flat” version of the film, in mono sound, is also included, as are both 3D and flat versions of its theatrical movie trailers. Also included is a documentary on Universal’s science fiction films of that era and a voice-over commentary that plays over the film on a separate track.

    Steve Neill, as a child I too remember looking up at the stars. Could not have been any older then 8 years of age but probably much younger. I would sit on the back steps and look up at the stars/sky and wonder how far the sky went before it stopped. THEN after that there was such a sense of loneliness even with my mom/dad/grandma/siblings so close to me inside the house.

  7. Whitley and Steve Neill, I have just finished watching the short film, ‘But Something is There.’ Thank you for this GENEROUS/WONDERFUL gift. I hope ALL the subscribers get a chance to view it as well. I would think at times it must be difficult to navigate/stay balanced/grounded in this reality.

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